Research Catalog

Title

We are behind : [the object / by Emily Wardill and Ian White].

Author

Wardill, Emily, 1977-

Publication

London : Book Works ; Amsterdam : De Appel, ©2010.

Items in the Library & Off-site

Details

Additional Authors

• White, Ian.
• Appel (Foundation : Amsterdam, Netherlands)

Description

151 pages : illustrations (some color), music; 23 cm

Summary

"Presented as the blueprints for three public lectures, We are behind, a new artist's book by Emily Wardill and Ian White, proposes alternative routes through Wardill's work and represents three different attempts at embodying and dissembling knowledge. Using different formal textual devices, from which they also deviate--a standard lecture, the subject of which becomes something felt, not taught; an a-chronological conversation; and the transcript of a play rendered as a formal essay--each section describes the different facets of an ongoing dialogue between the authors. Fragmented not only by dialogic turns, appropriated texts, images, a score and quotations, and containing extensive reproductions of Wardill's work, the book's content and design reflects the labyrinthine, and sometimes hallucinogenic quality of her films and their radical combination of form, content and idea. Each section focuses on specific works. Section One, The Object, uses The Diamond (Descartes Daughter), SEA OAK, and Game Keepers without Game, to explore ideas of the rational, public art, the public, linguistic framing and the irrational, via Gladys Knight and the Pips, a hand-drawn hallucinogenic section, Seth Price's essay Dispersion, Norman Mailer, The Rockridge Institute and Peter Gidal. Section Two, The Window follows a conversations between the authors, that opens onto desire, politics, mirrors, and the films Basking in what feels like 'An Ocean of Grace' I soon realise that I am not looking at it but rather, I AM it, recognising myself, Split the View in Two (Part Two), and Sick Serena and Dregs and Wreck and Wreck. In the final part, The Theatre, an apparently formal essay on the implications of framing live action, the proscenium arch as a link between theatre and cinema, Dan Graham, perspective, power and its collapse, transforms into a collection of dialogues around Ben, Sick Serena and Dregs and Wreck and Wreck, authenticity, reality and fiction"--Publisher.

Alternative Title

• Object
• Windows broken, break, broke together.

Subject

• Wardill, Emily > Exhibitions

Genre/Form

• Exhibition catalogs.
• Artists' books – England – London – 2010.

Note

• "[L]aunched as part of Emily Wardill's exhibition 'windows broken, break, broke together' at de Appel arts centre, Amsterdam, 17 September-28 November 2010"--Colophon.

ISBN

• 190601227X
• 9781906012274

LCCN

2010530823

OCLC

• ocn669910327
• 669910327
• SCSB-1620033

Owning Institutions

Princeton University Library