Research Catalog

Title

The Promethean politics of Milton, Blake, and Shelley / Linda M. Lewis.

Author

Lewis, Linda M., 1942-

Publication

Columbia : University of Missouri Press, ©1992.

Items in the Library & Off-site

Details

Description

xii, 223 pages : illustrations; 24 cm

Summary

For more than two millennia, the myth of Prometheus has fascinated writers and artists. The complex and resonant story of the rebellious Titan who stole fire from the Olympic gods to bestow it upon humanity has remained the prototypical commentary on tyranny and rebellion. Examining the political core of this myth as presented in the poetic tradition, Linda M. Lewis traces Promethean figures and imagery in the major poetry of Milton, Blake, and Shelley. Although the significance of the myth in Western literature has often been noted, Lewis's study is unique in recognizing an ambiguity in Promethean depictions that persists from Greek drama through the English Romantics. While Prometheus is a benefactor and savior, he also takes the role of sophist and trickster. Lewis convincingly articulates this tension and relates it to the ambiguous political relationship between ruler and subject. Drawing primarily upon Paradise Lost, Lewis shows how Milton's use of Prometheus is significant not only because of Milton's undisputed influence on the Romantics, but also because his Promethean figures reflect the myth in all of its facets, from the traitorous Satan and disobedient Adam to the Son in his salvational role. Blake's responses to Milton and to Dante are closely related to his recasting of the Prometheus myth in his prophetic works, particularly through the revolutions associated with his fiery character Orc. Lewis concludes with a chapter on Shelley, focusing on Prometheus Unbound, but also providing a fascinating look at Mary Shelley's Frankenstein, which was subtitled The Modern Prometheus. An afterword extends this insightful analysis of Promethean icons by examining those used by such late eighteenth-century and nineteenth-century women writers as Charlotte and Emily Bronte, Mary Wollstonecraft, and Elizabeth Barrett Browning. This volume will be of special interest to students and teachers of seventeenth-century studies and English Romantic poetry, in addition to those interested in myth, iconography, and semiotics.

Subject

• Prometheus (Greek deity) > In literature
• Shelley, Percy Bysshe, 1792-1822
• Blake, William, 1757-1827 > Knowledge and learning
• Milton, John, 1608-1674
• Aeschylus > Influence
• Aeschylus
• Blake, William, 1757-1827
• Prometheus (Greek deity)
• Prometheus
• Blake, William 1757-1827
• Milton, John 1608-1674
• Shelley, Percy Bysshe 1792-1822
• Milton, John
• Shelley, Percy Bysshe
• Blake, William
• Prometheus
• Paradise lost (Milton, John)
• Prometheus unbound (Shelley, Percy Bysshe)
• Political poetry, English > History and criticism
• Politics and literature > Great Britain
• English poetry > Greek influences
• Classicism > England
• Myth in literature
• Classicism
• English poetry > Greek influences
• Influence (Literary, artistic, etc.)
• Literature
• Mythology
• Political poetry, English
• Politics and literature
• England
• Great Britain

Genre/Form

Criticism, interpretation, etc.

Bibliography (note)

• Includes bibliographical references (p. 203-214) and index.

Contents

1. Aeschylus's Prometheus and Titan Iconography -- 2. Titanism and Dantesque Revolt -- 3. Prometheus as Icon in Milton's Paradise Lost -- 4. Blake's Orc as Promethean Rebel, Los as Promethean Imagination -- 5. Tyrant and Rebel in Shelley's Prometheus Unbound.

ISBN

• 0826208053
• 9780826208057

LCCN

91041390

OCLC

• ocm24870736
• 24870736
• SCSB-14503737

Owning Institutions

Princeton University Library