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  • Black and comely: the Dance Theatre of Harlem returns to Sadler's Wells / by Peter Williams, John Percival and Noel Goodwin.

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    • 1976

  • Lulu. By Peter Williams and Noel Goodwin.

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    • 1976

  • A golden affair: Ballet Rambert's 50th anniversary at Sadler's Wells. By Peter Williams, John Percival and Noel Goodwin.

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    • 1976

  • What makes a company? The Stuttgart Ballet in London and at home. By Peter Williams and John Percival.

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    • 1976

  • The merry widow. By Peter Williams and Noel Goodwin.

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    • 1976

  • Back to the source: the Sadler's Wells Royal Ballet gives its first season in its new home. By Peter Williams and John Percival.

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    • 1976

  • The cockerel crows again; Diaghilev revivals and other events for Festival Ballet's season at the London Coliseum. By Peter Williams, John Percival and Noel Goodwin.

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    • 1976

  • Royal imports, works by Glen Tetley and Hans van Manen mounted on the Covent Garden Royal Ballet. By Peter Williams, John Percival and Noel Goodwin.

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    • 1977

  • The glorified behavior of Graham's dances. By Peter Williams and Judith Cruickshank.

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    • 1976

  • The brightness of the setting sun : New London Ballet's recent premieres at the Wimbledon Theatre in a season announced as their last in the London area /cbBy Peter Williams and Noel Goodwin.

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    • 1977

  • Internal creative forces: new works by London Contemporary Dance Theatre at Sadler's Wells. By Peter Williams and Noël Goodwin.

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    • 1977

  • The taming of the shrew, by Peter Williams and Noel Goodwin.

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    • 1977

  • The fourth symphony. By Peter Williams, John Percival and Noel Goodwin.

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    • 1977

  • Visions of grandeur: Béjart's Ballet of the 20th century returns to London. By Peter Williams, John Percival and Noel Goodwin.

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    • 1977

  • Romantic inclinations in new works for London Contemporary Dance Theatre. By Peter Williams and Noel Goodwin.

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    • 1977

  • Romeo and Juliet. By Peter Williams, John Percival and Noel Goodwin.

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    • 1977

  • On and off court: the Jubilee season of the Sadler's Wells Royal Ballet. By Peter Williams, John Percival and Noël Goodwin.

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    • 1977

  • The nutcracker in France and England. By Marie-Françoise Christout, Noel Goodwin, Peter Williams, and John Percival.

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    • 1977

  • Confrontations in Andalucia and other areas: new works for Ballet Rambert. By Peter Williams and Noel Goodwin.

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    • 1977

  • Less American activities: American Ballet Theatre's week at the London Coliseum. By Peter Williams and John Percival.

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    • 1977

  • Two-week birthday party for a nonagenarian: Ballet Rambert's Sadler's Wells season. By Peter Williams and Noel Goodwin.

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    • 1978

  • Covent Garden Royal Ballet at the Royal Opera House, Covent Garden. By Peter Williams and John Percival.

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    • 1978

  • Assemblage of sights and sounds in a new world: London Contemporary Dance Theatr'es season at Sadler's Wells. By Peter Williams and Noel Goodwin

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    • 1978

  • Petit returns to London with his Ballet de Marseille. By Peter Williams and John Percival.

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    • 1977

  • The sleeping beauty. By Peter Williams, John Percival and Noel Goodwin.

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    • 1977

  • Three generations of British choreography, in new works and old for the Sadler's Wells Royal Ballet. By Peter Williams, John Percival and Noel Goodwin.

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    • 1978

  • Getting it together in the North: Romeo and Juliet and Les sylphides for Northern Ballet Theatre. By Noel Goodwin and Peter Williams.

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    • 1978

  • A family affair. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • From Israel with guests: The Batsheva Dance Company's first London season at Festival Hall. By Peter Williams and John Percival.

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    • 1978

  • The spirit of Romanticism lives: new works and old in Festival Ballet's season at the London Coliseum. By Peter Williams and Noel Goodwin.

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    • 1978

  • The loneliness of the outsider in a real or fantastic world: creations and revivals for the Sadler's Wells Royal Ballet. By Peter Williams and Noel Goodwin.

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    • 1978

  • The Queen of spades (La dame de pique). By Peter Williams and Marie Françoise Christout.

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    • 1978

  • Liebeslieder Walzer. By Peter Williams and Noel Goodwin.

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    • 1979

  • Rosalinda. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • La fin du jour. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • The bat (La chauve-souris). By Peter Williams and John Percival.

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    • 1979

  • London Contemporary Dance Theatre at Sadler's Wells Theatre. By Peter Williams and Noel Goodwin.

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    • 1979

  • Fresh thoughts on Coppélia and Goya. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • Covent Garden Royal Ballet at the Opera House. By John Percival and Peter Williams.

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    • 1979

  • The tempest. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • Bournonville August / by Peter Williams and John Percival.

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    • 1979

  • Graham goes establishment. By Peter Williams and Noel Goodwin.

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    • 1979

  • Ballet Rambert at Sadler's Wells Theatre. By Noel Goodwin and Peter Williams.

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    • 1979

  • New York onslaught. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • Spatial assignment: London Contemporary Dance Theatre at the Round House. By Noel Goodwin and Peter Williams.

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    • 1979

  • Biblical and secular: London Contemporary Dance Theatre's season at Sadler's Wells / by Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • The games they play, inside and out: two creations for the Sadler's Wells Royal Ballet. By Peter Williams, John Percival and Noel Goodwin.

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    • 1979

  • Papillon. By Peter Williams and Noel Goodwin.

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    • 1980

  • Stravinsky, 1882-1971.

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    • 1982

  • Ballet Rambert : 50 years and on / edited by Clement Crisp, Anya Sainsbury, [and] Peter Williams.

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    • [England : s.n., 1981]
    • 1981
    • 1 Item
    FormatCall NumberItem Location
    Text *MGTB (English) 82-3623Performing Arts Research Collections - Dance
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    Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person.

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