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  • Reflections on revival and reconstruction.

    • Text
    • 1994

  • Reflections on Cuba.

    • Text
    • 1979

  • Reels of rarities on film at Lincoln Center.

    • Text
    • 1976

  • She [Jennifer Tipton] casts ballet dancers in the proper light.

    • Text
    • 1977

  • Why Cuba champions ballet.

    • Text
    • 1978

  • Balanchine - ballet's first modernist.

    • Text
    • 1978

  • The politics of perception.

    • Text
    • 1981

  • Towards a sexual politics of contemporary dance.

    • Text
    • 1982

  • Seeing clearly.

    • Text
    • 1983

  • Genre and Style.

    • Text
    • 1983

  • The dance medium.

    • Text
    • 1983

  • A community of originals: models of avant-garde collaboration.

    • Text
    • 1983

  • Merce Cunningham and the politics of perception.

    • Text
    • 1983

  • Dance, photography, and the world's body.

    • Text
    • 1983

  • A curmudgeonly view of the American dance boom.

    • Text
    • 1986

  • The objective temperament: Post-modern dance and the rediscovery of ballet.

    • Text
    • 1986

  • Reviews.

    • Text
    • 1987

  • Moving from the inside out : modern dance in modern China.

    • Text
    • 1989

  • In defense of formalism : the politics of disinterestedness.

    • Text
    • 1990

  • Founding mothers : Duncan, Graham, Rainer and sexual politics.

    • Text
    • 1990

  • The China syndrome.

    • Text
    • 1991

  • Dandyism, a fashionable thought.

    • Text
    • 1991

  • The bull in the China shop.

    • Text
    • 1992

  • The neoclassical task.

    • Text
    • 1981

  • The black swan and the dervishes : cross-cultural approaches to dance.

    • Text
    • 1992

  • The fate of authenticity.

    • Text
    • 1993

  • The black swan and the dervishes : cross-cultural approaches to dance.

    • Text
    • 1993

  • Dance criticism and the descriptive bias.

    • Text
    • 1993

  • Das Schicksal der Authentizität.

    • Text
    • 1993

  • Beyond formalism : three decades of postmodern dance.

    • Text
    • 1990

  • Backlash against Balanchine.

    • Text
    • 1993

  • Beyond formalism : three decades of postmodern dance.

    • Text
    • 1993

  • A conversation with Alwin Nikolais.

    • Text
    • 1973-1974

  • New dance/film: Perspectives on dance and cinema.

    • Text
    • 1974

  • Broadway dance.

    • Text
    • 1974

  • The 'post-modern' choreography of Trisha Brown.

    • Text
    • 1976

  • Twyla Tharp's descent into slapstick.

    • Text
    • 1976

  • Beyond expressionism : Merce Cunningham's critique of 'the natural'.

    • Text
    • 1994

  • "Not/There" : Croce, criticism, and the culture wars.

    • Text
    • 1995

  • The double identity of David Gordon.

    • Text
    • 1996

  • The search for origins : Roger Copeland looks at primitivism in modern dance.

    • Text
    • 1996

  • Mark Morris, postmodernism, and history recycled.

    • Text
    • 1997

  • Fatal abstraction, Merce Cunningham, formalism and identity politics.

    • Text
    • 1998

  • Between description and deconstruction.

    • Text
    • 1998

  • Nature and science in the work of Merce Cunningham.

    • Text
    • 1998

  • Re-thinking the thinking body : the articulate movement of Merce Cunningham.

    • Text
    • 1999

  • Dancing for the electronic age : Merce Cunningham and the contemporary technology.

    • Text
    • 1999

  • Ballet, modern dance, and modernity.

    • Text
    • 2000

  • Who lost the arts : or why America has no national arts policy as we enter the 21st century.

    • Text
    • 2000

  • Dancing for the digital age : Merce Cunningham's "Biped."

    • Text
    • 2001

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