Research Catalog

  • Manuscript accidentals: ficta in focus, 1350-1450.

    • Text
    • [Dallas?] American Institute of Musicology, 1972.
    • 1972
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 73-328Offsite
  • Accidentien und Tonalität in den Musikdenkmälern des 15. und 16, Jahrhunderts: mit e. Notenanh./ Willi Apel. - 2., verm. Aufl. Neudr. d. Ausg. Strassburg 1937. -

    • Text
    • Baden-Baden: Koerner, 1972.
    • 1972
    • 1 Item
    FormatCall NumberItem Location
    Text JMD 76-57Offsite
  • Theories of chromatic and enharmonic music in late 16th century Italy / Karol Berger.

    • Text
    • Ann Arbor, Mich. : UMI Research Press, [1980]
    • 1980
    • 1 Item
    FormatCall NumberItem Location
    Text JME 81-182Offsite
  • La II pratica e le alterazioni / N. Anfuso, A. Gianuario.

    • Text
    • Firenze : Libreria commissionaria, 1975.
    • 1975
    • 1 Item
    FormatCall NumberItem Location
    Text JML 75-6 1, 5-6Offsite
  • A practical guide to musica ficta [microform] : based on an analysis of sharps found in the music prints of Ottaviano Petrucci (1501-1519) / by Bruce Ray Carvell.

    • Text
    • c1982.
    • 1982
  • François Joseph Fétis' theory of chromaticism and early nineteenth-century music [microform] / by Anthony Jay Kosar.

    • Text
    • 1984.
    • 1984
  • Musica ficta : theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino / Karol Berger.

    • Text
    • Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1987.
    • 1987
    • 1 Item
    FormatCall NumberItem Location
    Text JME 88-156Offsite
  • Technical bases of nineteenth-century chromatic tonality [microform] : a study in chromaticism / Gregory Michael Proctor.

    • Text
    • 1978.
    • 1978
  • Chromatisme concentrique en milieux majeur et mineur : cahier d'exercices d'écriture et d'analyse / Lise Gauthier.

    • Notated music
    • [Longueuil, Québec : s.n., 1977]
    • 1977
    • 1 Item
    FormatCall NumberItem Location
    Notated music JMF 90-515Offsite
  • The diachronic recognition of enharmonic equivalence [microform] : a theory and its application to five instrumental movements by W.A. Mozart / Raphael Eric Atlas.

    • Text
    • 1983.
    • 1983
  • Sharps, flats, and scribes [microform] : musica ficta in the Machaut manuscripts / by Bettie Jean Harden.

    • Text
    • 1983.
    • 1984-1983
  • Chromaticism in the English madrigal / Kian-Seng Teo.

    • Text
    • New York : Garland, 1989.
    • 1989
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 91-1262Offsite
  • Aural images of lost traditions : sharps and flats in the sixteenth century / Robert Toft.

    • Text
    • Toronto ; Buffalo : University of Toronto Press, c1992.
    • 1992
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 92-505Offsite
  • Chromatic alteration and extrahexachordal intervals in fourteenth-century polyphonic repertories [microform] / Lucy E. Cross.

    • Text
    • 1990.
    • 1990
  • Chromaticism : theory and practice / Howard Boatwright.

    • Text
    • Fayetteville, N.Y. : Walnut Grove Press ; Syracuse, N.Y. : Distributed by Syracuse University Press, c1994.
    • 1994
    • 1 Item
    FormatCall NumberItem Location
    Text JME 96-476Offsite
  • The role of chromaticism in Chopin's sonata forms [microform] : a Schenkerian view / by Janice Margaret Arnold.

    • Text
    • c1992.
    • 1992
  • Chromatic beauty in the late medieval chanson : an interpretation of manuscript accidentals / Thomas Brothers.

    • Text
    • Cambridge ; New York : Cambridge University Press, 1997.
    • 1997
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 98-114Offsite
  • Accidentien und Tonalität in den Musikdenkmälern des 15. und 16. Jahrhunderts, von Willi Apel, dr. phil.

    • Text
    • Berlin, Druck: Triltsh & Huther, 1936.
    • 1936
    • 1 Item
    FormatCall NumberItem Location
    Text *MI (Apel, W. Accidentien und Tonalitat in den Musikdenkmalern. 1936)Offsite
  • Accidentien und Tonalitat in den Musikdenkmälern des 15. und 16. Jahrhunderts.

    • Text
    • Strassburg, Heitz, 1937.
    • 1937
    • 1 Item
    FormatCall NumberItem Location
    Text *MI (Apel, W. Accidentien und Tonalitat in den Musikdenkmalern. 1937)Offsite

    Available - Can be used on site. Please visit New York Public Library - Offsite to submit a request in person.

  • Die chromatische Alteration im liturgischen Gesang der abendländischen Kirche / von Gustav Jacobsthal.

    • Text
    • Berlin : J. Springer, 1897.
    • 1897
    • 1 Item

    Available Online

    http://babel.hathitrust.org/cgi/pt?id=nyp.33433084112550
    FormatCall NumberItem Location
    Text *MM (Jacobsthal, G. Chromatische alteration im liturgischen)Offsite
  • Secret chromatic art in the Netherlands motet, by Edward E. Lowinsky; translated from the German by Carl Buchman.

    • Text
    • New York, Columbia University Press, 1946.
    • 1946
    • 1 Item
    FormatCall NumberItem Location
    Text *MFHB (Netherlands) (Lowinsky, E. E. Secret chromatic art in the Netherlands)Offsite
  • Canon, partial signatures, and "Musica ficta" in works by Josquin DesPrez and his contemporaries [microform] / by Peter Whitney Urquhart.

    • Text
    • 1988.
    • 1988
  • Verloren gegangene Selbstverständlichkeiten in der Musik des 15.-16. Jahrhunderts. Die musica ficta; eine Ehrenrettung. Von Hugo Riemann.

    • Text
    • Langensalza, H. Beyer & Söhne, 1907.
    • 1907
    • 1 Item
    FormatCall NumberItem Location
    Text **MG (Musikalisches) (Musikalisches Magazin. Heft.17)Performing Arts Research Collections - Music

    Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person.

  • Chopins Harmonik : Chromatik in ihrer Beziehung zur Tonalität / Maciej Gołąb.

    • Text
    • Köln : Bela Verlag, [1995]
    • 1995
    • 1 Item
    FormatCall NumberItem Location
    Text JMD 00-637Offsite
  • Musica ficta : Une histoire des sensibles du XIIIe au XVIe siècle, Thèse de la Sorbonne / Vincent Arlettaz.

    • Text
    • Sprimont, Belgium : Mardaga, c2000.
    • 2000
    • 1 Item
    FormatCall NumberItem Location
    Text JME 02-148Offsite
  • Theories of chromatic and enharmonic music in Italy in the second half of the sixteenth century [microform] / by Karol Berger.

    • Text
    • 1975.
    • 1975
  • Equal temperament music notation : the Ailler-Brennink chromatic notation : results and conclusions of the music notation reform / by the Chroma Foundation.

    • Text
    • Victoria, B.C., Canada : Edition Chroma, 1992.
    • 1992
    • 2 Items
    FormatCall NumberItem Location
    Text JMF 01-1455Offsite
    FormatCall NumberItem Location
    Text JMF 95-810Offsite
  • Counterpoint, composition, and musica ficta / Margaret Bent.

    • Text
    • New York : Routledge, 2002.
    • 2002
    • 1 Item
    FormatCall NumberItem Location
    Text JME 02-737Offsite
  • A short history of the leading note : from the thirteenth to the sixteenth century : a contribution to the study of Musica Ficta / by Vincent Arlettaz.

    • Text
    • [S.l.] : Vincent Arlettaz, 2002.
    • 2002
    • 1 Item

    Available Online

    http://www.rmsr.ch/publications/arlettaz/musica_ficta/
    FormatCall NumberItem Location
    Text JMF 04-303Offsite
  • Lire composer, analyser à la Renaissance / Margaret Bent, Bonnie J. Blackburn, Harold S. Powers ; introduction et traduction, Annie Coeurdevey.

    • Text
    • Paris : Minerve, 2003.
    • 2003
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 09-508Offsite
  • Pratique de la musica ficta au XVIe siècle dans les tablatures de luth / Gérard Geay.

    • Text
    • Sampzon : Delatour France, 2018.
    • 2018-2018
    • 2 Items
    FormatCall NumberItem Location
    Text ReCAP 20-1479 v. 1Offsite
    FormatCall NumberItem Location
    Text ReCAP 20-1479 v. 2Offsite
  • Aural images of lost traditions : sharps and flats in the sixteenth century / Robert Toft.

    • Text
    • Toronto : University of Toronto Press, [1992], ©1992.
    • 1992-1992
    • 1 Item
    FormatCall NumberItem Location
    Text ML1402 .T64 1992gOff-site
  • Chromatic alteration and extrahexachordal intervals in fourteenth-century polyphonic repertoires / Lucy E. Cross.

    • Text
    • 1990.
    • 1990
    • 2 Items
    FormatCall NumberItem Location
    Text ML174 .C76 1990g v.2Off-site
    FormatCall NumberItem Location
    Text ML174 .C76 1990g v.1Off-site
  • Theories of chromatic and enharmonic music in late sixteenth century Italy / Karol Berger.

    • Text
    • Ann Arbor, Mich. : UMI Research Press, [1980]
    • 1980
    • 1 Item
    FormatCall NumberItem Location
    Text ML290.2 .B47Off-site
  • Chromatic beauty in the late medieval chanson : an interpretation of manuscript accidentals / Thomas Brothers.

    • Text
    • Cambridge ; New York : Cambridge University Press, 1997.
    • 1997
    • 1 Item
    FormatCall NumberItem Location
    Text ML2502 .B76 1997Off-site
  • Chopins Harmonik : Chromatik in ihrer Beziehung zur Tonalität / Maciej Gołąb.

    • Text
    • Köln : Bela Verlag, [1995]
    • 1995
    • 1 Item
    FormatCall NumberItem Location
    Text ML410.C54 G615 1995gOff-site
  • Manuscript accidentals: ficta in focus, 1350-1450.

    • Text
    • [Dallas?] : American Institute of Musicology, 1972.
    • 1972
    • 1 Item
    FormatCall NumberItem Location
    Text ML184 .H84Off-site
  • Secret chromatic art in the Netherlands motet / by Edward E. Lowinsky; translated from the German by Carl Buchman.

    • Text
    • New York : Columbia University Press, 1946.
    • 1946
    • 1 Item
    FormatCall NumberItem Location
    Text ML184 .L72Off-site
  • Secret chromatic art in the Netherlands motet / by Edward E. Lowinsky. Translated from the German by Carl Buchman.

    • Text
    • New York : Russell & Russell, [1967, ©1946]
    • 1967-1946
    • 1 Item
    FormatCall NumberItem Location
    Text ML184 .L72 1967Off-site
  • Accidentien und Tonalität in den Musikdenkmälern des 15. und 16. Jahrhunderts / von Willi Apel, dr. phil.

    • Text
    • Berlin : Druck: Triltsh & Huther, 1936.
    • 1936
    • 1 Item
    FormatCall NumberItem Location
    Text ML3811 .A64Off-site
  • Musica ficta : une histoire des sensibles du XIIIe au XVIe siècle, thèse de la Sorbonne / Vincent Arlettaz.

    • Text
    • Sprimont, Belgium : Mardaga, [2000], ©2000.
    • 2000-2000
    • 1 Item
    FormatCall NumberItem Location
    Text ML457 .A75 2000gOff-site
  • The diachronic recognition of enharmonic equivalence : a theory and its application to five instrumental movements by W.A. Mozart / Raphael Eric Atlas.

    • Text
    • 1983.
    • 1983
    • 1 Item
    FormatCall NumberItem Location
    Text ML3811.A88 D53 1983aOff-site
  • Secret chromatic art in the Netherlands motet / by Edward E. Lowinsky; translated from the German by Carl Buchman.

    • Text
    • New York : Columbia University Press, 1946.
    • 1946
    • 1 Item
    FormatCall NumberItem Location
    Text VG55 L918eOff-site
  • Die chromatische Alteration im liturgischen Gesang der abendländischen Kirche.

    • Text
    • 1970
    • 1 Item
    FormatCall NumberItem Location
    Text VG62 J17Off-site
  • Lire, composer, analyser à la Renaissance / Margaret Bent, Bonnie J. Blackburn, Harold S. Powers ; introduction et traduction, Annie Cœurdevey.

    • Text
    • Paris : Minerve, 2003.
    • 2003
    • 1 Item
    FormatCall NumberItem Location
    Text ML174 .L57 2003gOff-site
  • Musica ficta : theories of accidental inflections in vocal polyphony from Marchetto da Padova to Gioseffo Zarlino / Karol Berger.

    • Text
    • Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1987.
    • 1987
    • 1 Item
    FormatCall NumberItem Location
    Text ML190 .B47 1987Off-site
    Not available - Please for assistance.
  • Chromatic notation : the results and conclusions of the international enquiry / by the Chroma Foundation ; [authors, Albert Brennink and others].

    • Text
    • Victoria, B.C., Canada : Edition Chroma, 1983.
    • 1983
    • 1 Item
    FormatCall NumberItem Location
    Text ML432 .C5 1983Off-site
  • Technical bases of nineteenth-century chromatic tonality : a study in chromaticism / Gregory Michael Proctor.

    • Text
    • 1978.
    • 1978
    • 1 Item
    FormatCall NumberItem Location
    Text ML3811 .P76 1978aOff-site
  • La II pratica e le alterazioni / N. Anfuso, A. Gianuario.

    • Text
    • Firenze : Libreria commissionaria, 1975.
    • 1975
    • 1 Item
    FormatCall NumberItem Location
    Text Mus 174.144Off-site
  • Vihuela intabulations of Josquin Masses : an examination of musical texture and musica ficta / by Sam Brian Dorsey.

    • Text
    • 2006.
    • 2006
    • 1 Item
    FormatCall NumberItem Location
    Text MT92.J83 D71 2006Off-site

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