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  • Bhāratīya saṅgītaśāstra ; Bharatana śrutisiddhānta mattu Śārṅgadēvana svarasamīkaraṇa.

    • Text
    • Maisūru : Ḍi. Vi. Ke. Mūrti, 1971.
    • 1971
    • 1 Item
    FormatCall NumberItem Location
    Text JMD 86-48Offsite

  • Il diapason. Storia e vicende della sua normalizzazione.

    • Text
    • Torino, ERI, 1969.
    • 1969
    • 1 Item
    FormatCall NumberItem Location
    Text *MHF 71-11Offsite

  • Das absolute Gehör und seine Typen. 2., um ein Nachw. und ein neues Literaturverzeichnis vermehrte Aufl.

    • Text
    • Bern, München, Francke, (1970).
    • 1970
    • 1 Item
    FormatCall NumberItem Location
    Text JME 71-77Offsite

  • Music reading: a comprehensive approach [by] Vernon L. Kliewer.

    • Text
    • Englewood Cliffs, N. J., Prentice-Hall [1973]
    • 1973
    • 1 Item
    FormatCall NumberItem Location
    Text JML 73-38Offsite

  • Pitch notation and equal temperament: a formal study.

    • Text
    • Berkeley, University of California Press, 1973.
    • 1973
    • 1 Item
    FormatCall NumberItem Location
    Text JME 74-125Offsite

  • Music reading; a comprehensive approach [by] Vernon L. Kliewer.

    • Text
    • Englewood Cliffs N. J., Prentice-Hall [1973]
    • 1973
    • 1 Item
    FormatCall NumberItem Location
    Text JML 73-43Offsite

  • Intona︠t︡sionnye sv︠i︡azi v pesennom tvorchestve slav︠i︡anskikh narodov; opyt issledovani︠i︡a.

    • Text
    • Leningrad, Sovetskiĭ kompozitor, 1962.
    • 1962
    • 1 Item
    FormatCall NumberItem Location
    Text *ZQ-489 no. 1-22Offsite

  • The structure of atonal music.

    • Text
    • New Haven, Yale University Press, 1973.
    • 1973
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 75-315Offsite

  • The musical comma [by] Charles B. Righter.

    • Text
    • Iowa City, University of Iowa [1972]
    • 1972
    • 1 Item
    FormatCall NumberItem Location
    Text JMF 75-577Offsite

  • Zur Intonationsbeurteilung kontextbezogener sukzessiver Intervalle / von Hans-Reinhard Biock.

    • Text
    • Regensburg : G. Bosse, 1975.
    • 1975
    • 1 Item
    FormatCall NumberItem Location
    Text JMD 76-353Offsite

  • The effect of timbre on brass-wind intonation.

    • Text
    • [Ann Arbor] 1969.
    • 1969

  • Ein praktischer Beitrag zur musikalischen Intonationslehre / Arthur Jensen.

    • Text
    • München : E. Katzbichler, 1975.
    • 1975
    • 1 Item
    FormatCall NumberItem Location
    Text JML 75-34 Heft 1-5Offsite

  • Intonation und Naturstimmung auf der Violine.

    • Text
    • München, J. Ortel [c1972]
    • 1972
    • 1 Item
    FormatCall NumberItem Location
    Text JME 79-41Offsite

  • Tonlogarithmen : musikal.-akust. Tabellenwerk / Helmut K. H. Lange. 1. Aufl.

    • Text
    • Wilhelmshaven : Heinrichshofen, 1978.
    • 1978
    • 1 Item
    FormatCall NumberItem Location
    Text JMD 80-109Offsite

  • Debussy and octatonic pitch structure [microform] / by Joel Eric Suben.

    • Text
    • 1979.
    • 1979

  • The function of pitch in Elliott Carter's String quartet no. 1 [microform] / by Don Allan Stein.

    • Text
    • 1981.
    • 1981

  • A new approach to similarity relations in set-theory analysis [microform] / by Alexis Turkalo.

    • Text
    • c1980.
    • 1980

  • Pitch translucency [microform] / Hilary Tann Presslaff.

    • Text
    • 1981.
    • 1981

  • Mathematical models for musical systems of pitch organization [mciroform] / by James Dennis Sullivan.

    • Text
    • c1981.
    • 1981

  • Set structure and extended form [microform] / Andrew Washburn Mead.

    • Text
    • 1981.
    • 1981

  • Critical band for frequency [microform] : a revision of the limits / by J. Douglas Solowan.

    • Text
    • 1983.
    • 1983

  • The aural perception of pitch-class set relations [microform] : a computer-assisted investigation / by Jana Kubitza Millar.

    • Text
    • 1984

  • Parallels between pitch and time [microform] : the determinants of musical space / by Caroline Benson Monahan.

    • Text
    • c1984.
    • 1984

  • Intonation in north Indian music : a select comparison of theories with contemporary practice / Mark Levy.

    • Text
    • New Delhi : Biblia Impex, 1982.
    • 1982
    • 1 Item
    FormatCall NumberItem Location
    Text JME 85-287Offsite

  • A theory of harmonic areas defined by pitch-class sets [microform] / by James Bennighof.

    • Text
    • 1984.
    • 1984

  • Pitch constructions in the "Masques," op. 34, of Karol Szymanowski [microform] / by Marylynn Louise Fletcher.

    • Text
    • c1984.
    • 1984

  • The cognition of atonal pitch structures [microform] / by Frederick Bianchi.

    • Text
    • c1985.
    • 1985

  • Static harmony [microform] : contextual and internal state approaches to pitch structures in late twentieth century music / by Daniel James Wolf.

    • Text
    • c1990.
    • 1990

  • A taxonomy of pitch formations [microform], and an implication-realization analysis of folk-hymn melodies from the Repository of sacred music part second, Kentucky harmony, Missouri harmony, Southern harmony, and Sacred harp] / by Timothy Alan Smith.

    • Text
    • c1988.
    • 1988

  • Pitch of frequency-modulated signals [microform] / by Keener Delaney McClelland.

    • Text
    • 1968.
    • 1968

  • Pitch preference determination [microform] : a comparative study of tuning preferences of musicians from major performing areas with reference to just intonation, Pythagorean tuning, and equal temperament / by Jack Ulness Sisson.

    • Text
    • 1969.
    • 1969

  • Pitch-class motive in the songs of Franz Schubert [microform] : the submediant complex / by Steven Geoffrey Laitz.

    • Text
    • c1992.
    • 1992

  • Rannefolʹklornoe intonirovanie : zvukovysotnyĭ aspekt / Ė.E. Alekseev.

    • Text
    • Moskva : Vseso︠i︡uznoe izd-vo "Sovetskiĭ kompozitor", 1986.
    • 1986
    • 1 Item
    FormatCall NumberItem Location
    Text JAY S-1444Offsite

  • Anleitung zum Quartettspiel in reiner Stimmung / Jutta Stübe.

    • Text
    • Bonn : Orpheus Verlag, 1994.
    • 1994
    • 1 Item
    FormatCall NumberItem Location
    Text JME 95-603Offsite

  • The melodic dictation strategies of musicians, and common pitch and rhythm errors [microform] / by Kathryn Marie Hoppe.

    • Text
    • 1991.
    • 1991

  • The use of pitch imagery in the management of trumpet embouchure [microform] : a theoretical consideration / by James E. Gardner, Jr.

    • Text
    • 1990.
    • 1990

  • Cognitive foundations of musical pitch / Carol L. Krumhansl.

    • Text
    • New York : Oxford University Press, 1990.
    • 1990
    • 1 Item
    FormatCall NumberItem Location
    Text JME 98-987Offsite

  • Origins of musical time and expression, by Rosamond E. M. Harding, PH.D.

    • Text
    • London, New York [etc.] Oxford University Press, 1938.
    • 1938
    • 1 Item
    FormatCall NumberItem Location
    Text *MGA (Harding, R. E. M. Origins of musical time and expression)Offsite

  • The history of musical pitch. By Alexander J. Ellis.

    • Text
    • Amsterdam, F.A.M. Knuf, 1963.
    • 1963
    • 1 Item
    FormatCall NumberItem Location
    Text *MHF (Ellis, A. J. History of musical pitch)Offsite

  • Studies in the history of musical pitch. Monographs by Alexander J. Ellis and Arthur Mendel.

    • Text
    • Amsterdam, Frits Knuf [1969]
    • 1969
    • 1 Item
    FormatCall NumberItem Location
    Text *MHF (Ellis, A. J. Studies in the history of musical pitch)Offsite

  • An experimental study of pitch recognition, by Laurence A. Petran ... from the Psychological laboratory of the Johns Hopkins university.

    • Text
    • Princeton, N.J., and Albany, N.Y., Psychological review company [1932]
    • 1932
    • 1 Item
    FormatCall NumberItem Location
    Text *MHF (Petran, L. A. Experimental study of pitch recognition)Offsite

  • The measurement of pitch intonation with the tonoscope in singing and playing.

    • Text
    • Iowa City, University of Iowa, [1930]
    • 1930
    • 1 Item
    FormatCall NumberItem Location
    Text *MHF (Seashore, C. E. Measurement of pitch intonation with the tonoscope in singing and playing)Offsite

  • A descriptive catalogue of the musical instruments recently exhibited at the Royal Military Exhibition, London, 1890. Issued under the orders of Colonel Shaw-Hellier and compiled by Captain C. R. Day.

    • Text
    • London, Eyre & Spottiswoode, 1891.
    • 1891
    • 1 Item
    FormatCall NumberItem Location
    Text *MK (Day, C. R. Descriptive catalogue)Offsite

  • An address ... on the existing high pitch of the musical scale.

    • Text
    • London, Manning & Mason, 1845.
    • 1845
    • 1 Item
    FormatCall NumberItem Location
    Text Drexel 2214-2214.20Performing Arts Research Collections - Music
    Request Appointment

    Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person.

  • De l'unité tonique et de la fixation d'un diapason universel [microform] / par Adrien de La Fage.

    • Text
    • Paris : E. Dentu, 1859.
    • 1859

  • Physical criterion for determining musical pitch of a musical tone [microform]

    • Text
    • [New York, 1924]
    • 1924

  • The perception of pitch in music [microform]

    • Text
    • 1960.
    • 1960

  • Rapport général de m. Charles L'Hôpital .. [microform]

    • Text
    • Paris, Comité national de propagande pour la musique [1932]
    • 1932
    • 1 Item
    FormatCall NumberItem Location
    Text *ZB-*MG Reel 26Performing Arts Research Collections - Music
    Request for On-site Use

    Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person.

  • Fundamentals in A-440 pitch : harmonic intervals at 22̊ C (72̊ F), comparison of the true or just consonant intervals with the intervals of the equal temperament-- in all keys-- non technical terms used / written and computed by J. C. Deagan.

    • Text
    • Chicago : J.C. Deagan Musical Bells, Inc., [ca. 1916]
    • 1916
    • 1 Item
    FormatCall NumberItem Location
    Text *MHF+ (Deagan)Offsite
    Not available - Please for assistance.

  • Essay on musical intonation & temperament: [Microform] By I.F. Holton ...

    • Text
    • New York, Paine & Burgess, 1847.
    • 1847-1847
    • 1 Item
    FormatCall NumberItem Location
    Text *ZB-*MG Reel 33Performing Arts Research Collections - Music
    Request for On-site Use

    Available - Can be used on site. Please visit New York Public Library - Performing Arts Research Collections to submit a request in person.

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